This mid-19th-century oil painting by British artist William Henry Crome (1806-1873) depicts a winding river view by moonlight.
A tired windmill, its blades battered by the elements, stands like an homage to the old Dutch Masters. Above, a gentle glow emanates from a partially obscured moon. It could be the low countries, a view in Dordrecht, but it’s probably based upon a sketch in Norfolk. The flat agricultural scenery punctuated by waterways.
William Henry Crome’s father, ‘old’ John Crome, was one of the founders of the ‘Norwich School’. This pioneering group of working-class, self-taught, artists met regularly to share ideas and enhance their knowledge. Works by the masters of landscape, such as Jacob van Ruisdael (1628-1682) and Meindert Hobbema (1638-1709), were certainly an inspiration although their style is an amalgam of philosophies and more than a pastiche.
This accomplished piece from around 1860 is a fine example.
Held within a beautiful gilt frame.
Medium: Oil on canvas
Overall size: 23” x 17” / 59cm x 44cm
Year of creation: c. 1860
Labels & Inscriptions: Inscribed on reverse.
Provenance: Phillips Auction, Ipswich (1989) / Private collection, England.
Condition: Artwork presents well. Frame with some light wear.
Artist’s auction maximum: £7,345
William Henry Crome was a British artist predominantly known for his Dutch-inspired landscapes and evocative nocturnes. He was the son of ‘old’ John Crome (1768-1821), one of the founders of the Norwich School of painters, and was trained by him until the age of 15. His works are held in numerous public collections including at the Manchester Art Gallery, Nottingham City Museum and University of Edinburgh.
Learn more about William Henry Crome in our directory.
We care profoundly about our role as custodians and every piece in the collection has been assessed by our conservator. When required, we undertake professional restoration carefully using reversible techniques and adopt a light touch to retain the aged charm of each work. We also often restore frames rather than replace them as many are original and selected by the artists themselves.
