19th-Century British School

Portrait Of The Fully-Rigged Clan Mackenzie

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19th-Century British School

Portrait Of The Fully-Rigged Clan Mackenzie

Regular price £1,395.00
Unit price
per 
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This late 19th-century British oil painting depicts the Clan Mackenzie, a fully-rigged three-masted sailing ship. Built in 1882 for Thomas Dunlop and Son of Glasgow, Scotland, this impressive iron-hulled vessel led a life of service before its demise during World War I.

Launched from the well-known shipyard of Robert Duncan and Co Ltd, Port Glasgow, the Clan Mackenzie was over 250 feet long and weighed 1,597 net tons. Regarded as the fastest in her fleet, she undertook numerous voyages for the Clan Line before being sold to Norwegian owners in 1909 and renamed ‘Majorka’.

Following the outbreak of war, transatlantic travel became increasingly perilous due to the presence of German U-boats patrolling the shipping lanes. Numerous ships were targeted as they undertook vital trips to collect war goods from America before returning to British ports. On one such trip, in 1917, the Clan Mackenzie left London for Delaware but was sunk by a mine. An explosion on her port side was followed by a second and split the ship in two. Within minutes, she was underwater, with the crew struggling to escape. Just eleven survived. In 1998, her wreckage was discovered and identified via an inscription on the ship’s bell.

Here, in a portrait from around 1890, she’s captured during her brighter days - fully rigged, and sailing in relatively calm waters. Stylistically, the work bears some resemblance to a similar piece in the collection at Royal Museums Greenwich, which depicts the Tyburnia. The museum also holds a photo of the Clan Mackenzie at moorings in Gravesend Reach on the River Thames.

Held within a later frame.

Medium: Oil on linen
Overall size: 27½” x 21½” / 68cm x 55cm
Year of creation: c. 1890
Provenance: Private collection, UK.
Condition: Assessed and approved by our conservator. Fine and settled craquelure, as you would expect. The paint layer is stable.
Our reference: BRV1882

Conservation & History

We care profoundly about our role as custodians and every piece in the collection has been assessed by our conservator. When required, we undertake professional restoration carefully using reversible techniques and adopt a light touch to retain the aged charm of each work. We also often restore frames rather than replace them as many are original and selected by the artists themselves.

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