This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales.

Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club.

Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman, would each take turns as hosts - selecting various prose as inspiration. The hosts would, in turn, retain all of the work produced. Sketching late into the night, it’s plausible that a few drinks were also shared between friends. Several years later, the club evolved into the 'The Society of Painters in Watercolour'.

The close bond between these early British pioneers is particularly evident in Munn’s case as he’s known to have paired up with the young landscape painter John Sell Cotman and travelled extensively. Both sketched views simultaneously, which were later sold through a shop in Bond Street. It’s fascinating to consider the discussions between Munn and his companion as they compared their work.

Here, in this view of Merioneth, North Wales, Munn appears to be sketching from the river bank. A girl rests while gathering water in a copper pot while a fisherman waits patiently for a catch. An old stone bridge, partially covered by foliage, gives the appearance of an ancient ruin.

Perhaps Cotman sat alongside him discussing the changing light before traipsing up the hills for an elevated position.

Signed lower right and held within a later frame.

Medium: Pencil and watercolour on paper
Overall size: 15” x 12” / 38cm x 31cm
Year of creation: 1831
Labels & Inscriptions: Thomas Agnew & Sons (illustrious London fine art dealer) label on reverse. Further label relating to an exhibition catalogue providing artwork title.
Condition: Artwork presents well. Frame with some light wear.
Artist’s auction maximum: £2,800
Our reference: BRV1300

Paul Sandby Munn

Paul Sandby Munn trained under godfather Paul Sandby and exhibited at the Royal Academy. His works are held in numerous public collections including at the British Museum, Met Museum and Tate.

Learn more about Paul Sandby Munn in our directory.