This mid-19th-century German oil painting presents a carefully arranged bouquet of fruit, berries, flowers, and foliage set upon a cool stone slab.
A ripe peach rests alongside a mottled apple and pear, their skins softly dulled. A heavy cluster of pale grapes spills forward, their translucent flesh catching the light, while darker fruits - plum and fig - recede into shadow. Wild strawberries, still attached to their leaves, sit low in the composition, anchoring the arrangement close to the slab’s edge.
Interwoven among the fruit are flowering stems and branches. Cream-coloured blossoms open gently at the upper right, balanced by deeper tones of marigold and scabious, while small blue forget-me-nots emerge almost unnoticed among the leaves. A bare, cut branch rises through the centre of the composition, its stripped surface contrasting with the surrounding abundance. The painter’s touch is finely glazed and controlled, allowing surfaces to breathe without sharp outlines.
Although the arrangement appears natural, it draws together elements from different moments of the growing year. Rather than presenting a single fleeting scene, the painting feels shaped by accumulated observation: fruit and flora studied patiently from life and brought into harmony through careful balance of colour, texture, and weight. There is no sense of theatrical display, nor of overt symbolism. Imperfections are accepted, not concealed.
The work reflects a mid-19th-century German still life tradition that values attentiveness. Meaning arises quietly from coherence: from how light settles on skin, how fruit presses against fruit, how growth, maturity, and transience coexist without instruction.
This is a painting that rewards sustained looking. Its appeal lies in its calm seriousness and its trust in the viewer’s attention - a still life that does not ask to be decoded, but simply observed.
Monogrammed ‘BS or BU’ and dated in the lower right. Held in a mid-19th-century gilt frame with a shallow moulded profile, a softly sloping frieze, and a fine inner bead, which is probably original.
Medium: Oil on canvas
Overall size: 23½” x 27½” / 60cm x 70cm
Year of creation: 1854
Provenance: Private collection, Germany.
Condition: Cleaned. Revarnished. Craquelure in areas. The paint layer is stable. Frame in good condition with minor age-related wear.
Our reference: BRV2255