This exquisite early 18th-century half-length portrait depicts a young lady taking snuff from a silver holder. Stylistically, it’s reminiscent of works by French painter, Jacques François Courtin (1672-1752).
Attired in a sumptuous gown, somewhat similar to a ‘Robe Volante’, and a red cap, with black feather and pearl, it’s a decadent display. The fine lacework on her sleeves is captured deftly, while the expression is a playful one.
Painted around 1725, this beautiful piece emerged during the early part of the Rococo period - a time of excessive architectural ornamentation. The Rococo style first appeared in Paris during the reign of Louis XV, and brought with it a highly stylised sense of theatre. Interiors were transformed with lavish stucco, furnishings, and artwork, while fashion was designed to impress.
One is reminded of Jean François de Troy’s, ‘The Declaration of Love’, from circa 1724, in which we see a doting male at the mercy of his emotions. Around him, the walls radiate with splendour.
Snuff was considered as another mark of opulent tastes and became particularly popular among females during the 18th century. It’s said that Queen Charlotte, George III’s queen, earned the moniker ‘Snuffy Charlotte’, due to her regular use.
Taken through the nostrils, it originated in the late 15th century following Columbus’ second voyage to the New World, and quickly spread throughout Europe. For centuries, it was believed that tobacco had medicinal properties, with Queen Catherine de’ Medici taking it for headaches. One of its advocates was Jean Nicot de Villemain (1530-1604), from whose name ‘nicotine’ is derived.
The attitude, colouring and refinement of this piece align it with the oeuvre of French painter, Jacques François Courtin. Born in Sens, he trained under Louis de Boullogne, and worked extensively for notable Parisian aristocrats and royalty.
Held in a splendid regilded 18th-century gilt frame, which could be original.
Medium: Oil on canvas
Overall size: 29” x 34” / 74cm x 86cm
Year of creation: c. 1725
Provenance: Private collection, France.
Condition: Cleaned. Revarnished. Canvas relined. Later stretcher. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. Frame in good condition with minor age-related wear.
Our reference: BRV2153
